While image sharpness is excellent at moderate apertures, and even pretty good wide open when shooting subjects at a middle distance, be aware that it is less impressive when shooting close-up at f/2. ★ - My all-time favorite lens! New sensor, 4K video, dual SD cards, faster and a big step toward becoming a viable DSLR replacement. The Fujifilm Fujinon XF56mm F1.2 R is ideal for portraits, wedding, and studio photographs, thanks to its 85mm full-frame equivalent focal length. This was at a time when all the major Japanese manufacturers still produced everything in Japan. Now, this list is in no particular … The Fujifilm X-S10 is shaping up to be one of the best small, mid-range mirrorless cameras you can buy. Although AF speed is highly prized by most stills photographers – particularly those who regularly shoot fast moving subjects, such as sports or documentary photographers  – it is usually not the number one consideration for videographers. This product combines a wide-angle perspective with a fast maximum aperture, to provide the best image results. The 56mm F1.2 feels sturdy due to its all-metal construction. Zooms are handy. A 150mm filter adapter may be required for the XF 8-16mm lens to use filters. If you’re a user of Fujifilm X-series cameras, you might not find any other lens that offers a wider zoom view than the Fujifilm XF 8-16mm f/2.8 R LM WR. There is a feast of glassware which incorporates 3 aspherical elements and 3 ED (Extra-low Dispersion) elements. Huntington Beach, CA, November 20, 2020: Tokina introduces compact, lightweight prime lenses for Fuji X-mount cameras. guide to the best lenses for the Fuji X-T4, Top 10 Best Fuji X-Mount Lenses for Street Photography, Top 6 Best Macro Lenses for Fuji X-Mount Cameras. For owners of Fuji cameras featuring onboard image stabilization there’s really nothing about the 16-55mm f/2.8 to leave you too dissatisfied. The wide-angle lens covers up to a 24mm field of view, in full-frame terms. It’s also important to remember that when a lens is a little soft, the problem tends to be most noticeable at the edges rather than in the center of the image. Fuji X-T2 – Again, a reasonable update over the X-T1. Early Verdict. Fujifilm makes some of the best mirrorless cameras in the market. Fuji 55-200mm f/3.5-4.8. Precision focusing, too, is a breeze. Moreover, the ability to use slower shutter speeds under difficult light conditions allows you to use lower ISOs, which in term lead to you getting a cleaner image. True, the adapter adds considerable extra expense to the purchase price of the lens. The footage is just too dark unless I pump up the ISO to 4000 where it gets really noisy. You effectively get several lenses in one, but don’t have to mess about changing them mid-shoot.Â. Those looking for easy “run and gun” optics for shooting vacation videos or vlogs can skip on down to the next lens on our list; the Rokinon/Samyang 12mm f/2 just isn’t for you.Â. However, while many Fuji X-mount lenses perform brilliantly in terms of optics and performance, you may find that the list of high quality lenses becomes much shorter the moment you narrow the search down to only those specifically suited to video. Fuji videographers in need of a wide angle prime that they can depend on would do well to check out the Fujinon 16mm f/1.4 R WR. Autofocus works brilliantly; not only is performance fast, but essentially also silent. Although it appears a little heavy, it is still relatively lightweight since it balances perfectly with most Fujifilm’s line of mirrorless cameras. And realistically, videographers who truly know their craft will rarely need anything more than a standard lens and a moderate wide angle; and for that the 18-35mm f/1.8 more than has you covered. Primes, on the other hand, tend to be very sharp, relatively affordable, and offer excellent light-gathering abilities in the form of a fast maximum aperture. Finally, while you’ll struggle to achieve a sufficiently shallow depth of field to ever really notice the bokeh produced by this lens, rest assured that – on the rare occasions that it does occur – out of focus rendering is perfectly attractive. It has a strong reputation among photographers and film-makers, with its line of APS-C X-mount cameras and medium format GFX models. All in all, though, the Fuji 16-55mm f/2.8 is simply a very dependable and hardworking lens that will deliver great looking video in most shooting situations. There's not much bad to say about the Fujifilm Fujinon XF 55-200mm F3.5-4.8 R LM OIS—it's one of the best 55-200mm lenses we've seen, but it is on the pricey side. This is yet another excellent performer that delivers solid results for its price. This means that there is no genuine connection between your input and the behavior of the lens. See used prices here. All is not lost, though, as thankfully the addition of a Fringer EF-FX PROII lens adapter will make the Sigma compatible with most Fuji X-mount cameras. It is extremely compact and lightweight for a wide-angle prime, and as the name suggests, promises close-to-zero distortion. AF tracking works exceedingly well when following a moving subject, and there’s virtually no lens motor noise. The Fujinon XC35mm F2 is as basic as it gets. Meanwhile, despite employing the focus by wire system, the manual focus ring turns smoothly and silently, with just the right degree of resistance – making it well suited to video work. The other elements have convex surfaces that ensure that there is ample light coverage. The choice is entirely yours. The number of lenses available for Fuji X-mount cameras has expanded rapidly over the last few years. As a starting point, try setting sensitivity to maximum and AF speed to minimum, and adjust as needed from there. Many photographers prefer the wide-angle zoom over the prime… It has been on our recommendations list for long, thanks to its excellent optical quality and all-weather design. While using the latest and complex optical formula, the XF 8-16mm combines high-end performance with rugged construction. To enjoy the full functionality of Fujifilm X-T3, you need to combine it with a perfect lens. The 5-stop optical stabilizer is a plus if you like traveling light. Your email address will not be published. In part this of course comes down to the lens itself. Well, as mentioned above, to get a truly cinematic look to your video footage, you’ll want to shoot at a wide aperture; thus throwing the background out of focus. But you’ll need to purchase and carry several of them in order to cover the same range of focal lengths as the average zoom. busy or in some other way unattractive – it might risk becoming a genuine distraction from the main action.Â. See … They produce an image circle that covers APS-C-sized sensors or much smaller ones. There are no filter threads in these lenses because they don’t accept screw-in filters. Bokeh refers to the quality of out of focus areas of a photo or movie. The Fujifilm X-T3 is a popular mirrorless camera that delivers great images. Providing the equivalent coverage of a 24mm lens on full frame, the 16mm f/1.4 is ideal for either wide vista shots or when shooting in tight interior spaces. With tons of positive user reviews online and a near-legendary status, the Fujifilm XF56mm f/1.2 deserves a mention as one of the best Fuji X portraiture lenses. The Fujinon XF 55-200mm f/3,5-4.8 is a relatively portable telephoto lens, offering impressive image quality across its zoom range. Fuji X-T1 – Released in 2014 this camera had very high praise. Not Sigma. But just keep in mind that a wide aperture means a narrow depth of field, and so edge details are likely to be out of focus anyway due to the narrow aperture. Indeed, as it combines a fast maximum aperture with tack sharp optics and and impressive autofocus, there’s really very little about the 90mm f/2 that will leave Fuji-centric videographers wanting. If stabilization is a major requirement for you, you should opt for the Fujinon XF 18-55mm F2.8-4 R LM OIS. It maintains a constant f/2.8 aperture in its entire zoom range and is absurdly sharp at each focal length. This product boasts of an angle of view equivalent to that of a 12-24mm optic in a 35mm system. A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. I’m a travel photographer from Paris, France. But let’s just say that the 16-55mm f/2.8 makes a very good job of a bad situation, coming as it does with a nicely tactile and responsive focus ring. Put like this, it’s clear that you will probably want to seek out a lens with a nice fast maximum aperture. Especially if you plan on shooting handheld.Â. True, if you don’t have your camera set up right, transitions can sometimes be a little jerky. Unlike for many other lenses with the same features, the short focal length and the wide maximum aperture do not impede fast and quiet auto-focusing. And a noisy AF motor can easily show up on the audio track if recording via the internal mics. To the point that Fujifilm shooters now have an almost confusing range of glass to choose from. Offering a focal length equivalent to 27-53mm on full frame, Sigma’s 18-35mm f/1.8 Art lens is clearly not the most versatile zoom in existence. Meanwhile, chromatic aberrations are so subtle as to be barely present and flare is kept well under control. Lensguide.io is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. Fujinon XF 16mm f1.4. A 98.9-degree angle of view makes these lenses ideal for tight interior locations, architecture, and landscape photography. Nonetheless, for the best results, be sure to experiment with your AF settings. The dimensions of the lens do not change during focusing as it is entirely internal. So why would many people prefer this bigger, and a relatively more expensive model? Fujifilm X-T3 is one of the best cameras on the market and features a 26MP sensor, 4K video at 60p, 11 frames per second. When this lens is used on an X-series camera in manual mode, both the monitor and EVF screens display the distance scale. Offering an angle of view equivalent to a 35mm lens on a full-frame camera, the Fujinon 23mm f/2 iR WR is a sharp and fast prime lens that comes at a bargain price. A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. It is one of the many 35mm prime lenses but at the opposite end of the XF35mm F1.4 R and above. With that said, though, it’s important to be aware that most modern lens are very sharp, and so discussions of the relative merits of one lens over another are largely ones of degree. This lightweight companion still offers the same optical construction and performance you would get in the much more expensive XF35mm F2. And while there is evident color fringing towards the edges of the frame, this is easily fixed in post. The Rokinon CV12M-FX 12mm Cine lens for Fuji X-mount cameras is a wide-angle cine lens optimized for digital cinematography. Also keep in mid that you will get the best AF results when recording video internally – i.e. Samyang / Rokinon produce a range of manual focus prime lenses for the Fuji X-Mount system, including the excellent Rokinon 12mm f/2. A further twist of the ring takes you to A; auto exposure mode. Also, both focus action and zooming are internal, meaning that the front element doesn’t extend when carrying out either task. Here are the top rated Fujifilm X-T3 lenses. The core lenses Fujifilm currently have for the X-Mount are in dire need of an update. Fujifilm XF 18-55mm f/2.8-4 R LM OIS (Amazon, B&H) True, this is yet another Fujinon focus by wire lens – which never come close to true manual focus in terms of precision and control – yet the MF action is good enough here that it shouldn’t hold you back. Additionally, the diaphragm ensures that out-of-focus quality images are produced when one uses selective focus. In any case, this latter issue clears up once you close down the diaphragm a stop or two. Sadly, very few lenses for the Fuji X-mount system come with optical image stabilization. If you’re focused on getting better image quality, this is the one to go for. The lenses are small and housed in a composite plastic barrel with a matte black finishing. Zeiss, a German manufacturer offering some of the best build quality around, also have three excellent lenses for the X-Mount system – the 12mm f/2.8 Touit, the 32mm f/1.8 … And for filmmakers seeking something in this approximate focal length, there really isn’t anything better out there for the Fuji X-mount right now. To be sure, if you are serious about videography you will quickly learn that using a camera’s built-in microphone is not the best way to record audio. Featuring a focal length equivalent to 122mm (on a 35mm format), a maximum aperture of F2.8 and 1.0x magnification factor, this Fujifilm XF 80mm f/2.8 Macro lens is well-suited to … Beyond autofocus performance, though, is also the matter of AF motor noise. Instead they employ a system known as “focus by wire.”Â, True manual focus means that by turning the focus ring, you directly apply pressure to the lens’s mechanical parts, which move in accordance with your own movements. This is one lens that I always bring with me when traveling. If you are looking for an ultra-wide angle lens, the XF 8-16mm f/2.8 R LM WR is a real monster. The build quality for the XF16mm f/1.2 is generally excellent. The Fujinon XF 16-55mm F2.8 R LM WR became the first-ever professional-grade zoom lens for Fujifilm’s X series with interchangeable lens cameras. Camera type: Mirrorless Sensor: 24.3Mp APS-C (23.6 x 15.6mm) X-Trans CMOS Processing engine: X Processor Pro Lens mount: Fujifilm X Sensitivity range: ISO 200-12,800 expandable to ISO 100-51,200 Autofocus system: Hybrid with 91 or 325 points Max continuous shooting rate: Electronic shutter: … If you’re looking for an all-in-one zoom lens for the Fujifilm X-T4, the XF 18-135mm f/3.5-5.6 is a great choice. And most of the time your subject will be in the center – making this a bit of a non-issue. 35mm equivalent: 85mm. Since it was released in 2014, the Fujinon 18-135mm f/3.5-5.6 became one of the first lenses for the X-mount systems that one would consider an ‘all-in-one’ product. Impressive, to say the least! Best viewfinder, no lag, good image quality, flippy tilty screen and weather sealing. The Tokina atx-m 23mm f/1.4 prime lens features an angle of view … Please don’t forget to leave a comment below and share this article if you found it helpful. The lens is made using 11 elements from 8 groups – one of which is a two-sided aspherical element and two extra-low dispersion elements. Solid build quality and weather sealing add to the lens’s credentials. 23mm and 33mm atx-m series f/1.4 lenses for Fuji X-mount cameras offer versatility for amateurs and professionals. This will largely render edge softness irrelevant. The aperture and focusing rings are comfortable and easy to use. Before you set into finding your choice for the best Fuji lens, you should first understand what all the letters and numbers beside each product mean. That’s right, no autofocus of any kind. However, for absolute image quality, weather-sealing, and a wider angle of coverage, the Fujinon XF 16-55mm F2.8 R LM WR is worth a try. For a start, image quality is superb; at 18mm you can expect to see exceptional center sharpness with only a negligible drop-off in resolution towards the edges; at 35mm the picture is only marginally different, with central sharpness still excellent and corner sharpness just a tad less impressive. To help you make a more informed decision on the lens to pick, we have reviewed ten of the best Fuji lenses of 2020. OIS - Optical image stabilization (helpful with zoom lenses to avoid blurry photos). Angle of view: 110° – 61.2° 15 – 36 mm for crop sensors. Fujifilm 56mm f/1.2 ($899) Category: Portrait. Looking for an even wider point of view than is offered by the Fujinon 16mm f/1.4 (above)? However, depending upon which Fuji camera you own, you may find the lack of image stabilization a bit of a dealbreaker. Fujifilm X Series lenses fit APS-C Fujifilm X Series mirrorless cameras.Their advanced features, such as high megapixel sensors, live view capability, and excellent focusing maximize photographic opportunities offered by Fujifilm lenses. I.e. Omnicore is a Healthcare Digital Marketing Agency specializing in all facets digital marketing: search, social, PPC, and PR to help grow healthcare practitioners and multi-specialty medical groups. Thankfully, though, a number of third party lens manufacturers produce lenses for the Fuji X-mount system that come with genuine manual focusing abilities.Â, No matter what kind of images you plan on shooting, optical image stabilization is a very handy feature to have in a lens. Fujifilm Fujinon Fuji XF 10-24mm F/4-22 OIS R Lens - Excellent Condition 5 out of 5 stars (29) 29 product ratings - Fujifilm Fujinon Fuji XF 10-24mm F/4-22 OIS R Lens - Excellent Condition So as long as you have a steady hand, camera shake shouldn’t be too much of a problem. This newly released pair of Viltrox lenses may offer some stiff competition, but how good are they The catch? The aperture ring can be de-clicked for seamless iris pulls during a shoot. Smooth bokeh, on the other hand, tends to mean that the background will largely go unnoticed. Nifty Fifty – Fujifilm Fujinon XF 35mm f/2 R WR. Coming to you from The Hybrid Shooter, this great video review takes a look at the Fuji XF 16mm f/1.4 R WR lens. Now that we have gone over the best prime lenses, let’s check out Fuji’s top zoom lenses. This waterproof XF model makes it an ideal companion for street photography, reportage, landscapes, etc. This is partially attributed to their protruding front elements and in-built lens hood. The advantage of manual focus, then, is one of greater control. A wide-angle lens is a … It offers a wide-angle of view similar to that of a 24mm lens in a 35mm system, with an F2.8 maximum aperture for low-light shots. If you’re the owner of one of the few Fujifilm cameras that comes with built-in image stabilization – such as the Fuji X-T4 for example – this is not an issue you need worry about. This makes it a sturdy and dependable little tool to have in your bag for all your daily videography needs. Interestingly, Sigma was once known as being a budget alternative to brands like Nikon and Canon. Especially bright f/1.2 maximum aperture excels in low-light conditions and also offers notable control over depth of field for using … It’s been years since I’ve owned the Fuji branded 23mm f/1.4 lens. Although there are lenses out there offering faster autofocus than the 16mm f/1.4, this is not going to be a major concern for anyone using it primarily for videography. The total price, then, is essentially the same as if you were to purchase a Fuji lens. More important is focus accuracy, and the ability of AF motors to consistently track action (fast or otherwise) without hunting. While there’s an older XF 23mm f/1.4 lens available that’s optically brilliant (see review), it’s … Or if it’s cheap and has a fast maximum aperture then it might not be very sharp. At the very least you will want to invest in a camera-mounting shotgun mic. The lens features a snappy and near-silent ultrasonic focus motor. The wider the diaphragm opens on a lens, the more expensive it will tend to be. The product has in-built image stabilization, allowing for the use of slow shutter speeds, even under low-light conditions. This makes the XF56mm F1.2 R one of the best Fuji lenses for subject isolation and maintaining a natural shooting distance while blurring the background to your liking, with a tight depth of field. And although this provides some of the feel and control of manual focus, it is essentially an electronic simulation of manual focusing. But what it lacks in focal range it more than makes up for in quality. Featuring a stylish design and cutting-edge APS-C sensor, this optical device is perfect for both shooting videos and stills. Thanks to its APS-C sensor, it can take you from a wide-angle view to a serious telephoto coverage, equivalent to 27-206mm. So which Fuji X-mount lenses are best for videography? Your email address will not be published. Once again, I will list these lenses from wide to telephoto. The contrast and bokeh are also spectacular, with excellent resistance to flare and ghosting, thanks to the dual conventional nano-structure coating. Such a feature makes this product’s bokeh appear softer and more creamy. Save my name, email, and website in this browser for the next time I comment. The only minus found with this product is its lack of image stabilization. And thankfully bokeh is very pretty, thanks to nine rounded aperture blades. Indeed, many creative focussing effects that are core techniques of visual storytelling cannot be easily achieved by means of autofocus. This is why the Fujifilm XF 8-16mm f/2.8 R LM WR is mainly used for many types of photography, especially on architectural subjects. Offering a field of view comparable to 137mm on a full frame camera, the Fujifilm 90mm f/2 R LM WR is an excellent mid-length telephoto lens that is very well suited to video work. The short answer, hands down, is the Viltrox. Our comprehensive buyers’ guide will help you to make an informed choice. When it comes to shooting video with the Fuji X-mount system, if you have to choose just one piece of glass to work with, it should probably be this one.Â. In short, no modern lens truly delivers appallingly in terms of image sharpness. Needless to say, it’s been a few years. Hopefully, though, by working your way through my guide to the best video lenses For Fuji X-mount cameras, you now have a clear idea of exactly which features will be most important when choosing a lens or your own video work. Whereas with autofocus the advantage is precisely that the camera does most of the work for you, the downside of this is you have little control over exactly how focus is achieved, and when. The problem with zooms, though, is that in order to fit several lenses into one, certain compromises have to be made. Aperture: f/2.5-4.8. It’s not just focus that is manual though; aperture is also controlled mechanically via a physical ring on the lens itself. The highly accurate autofocus is super-fast and is enabled by a twin linear motor. Well, for a start, focus throw is good and long; making focus-pull effects and other subtle transitions a pleasure to shoot. Salman Aslam is the Founder & CEO of Omnicore, a leading Healthcare Digital Advertising & Marketing Agency helping clients across the globe. Let’s break down all these confusing numbers and abbreviations: The Fujifilm Fujinon XF16mm F1.4 R WR might carry a premium price, but this is backed by its matching performance. The frustrating thing, as a Fuji camera owner, is that native Fujinon lenses do not come with genuine manual focus. In reality, then, when choosing a video lens for your Fuji X-mount camera, there will always need to be a degree of negotiation between maximum aperture, on the one hand, and your budget on the other. When used with a 1.52x crop factor, the Focal length of the XF55-200mm shows the same angle of view of an 80-300mm on a 35mm camera. Just like in ye olde days. For instance, one of the best telephoto lenses for Fuji currently available is the Fujifilm Fujinon XF 18-135mm f/3.5-5.6 R LM OIS WR. Furthermore, The lens is sealed to protect against moisture and dust, ensuring its durability. Required fields are marked *. The Fujifilm XF 16mm f1.4 is a high quality wide-angle prime lens for Fujifilm X-series bodies. you might find a sharp zoom, but it’ll probably cost a lot and won’t have a very fast maximum aperture. The widest prime lens available for the Fujifilm X series is the Laowa 9mm f/2.8 Zero D, providing coverage up to a 113° angle of view. This feature makes the XF55-200mm an ideal option for cropping out tight landscape shots or for pulling elements in the distance closer. A fast maximum aperture will allow shooting in lower light situations while simultaneously producing a shallower depth of field; often highly prized in videography for creating a truly cinematic look. Provides an 85mm equivalent focal length, the Fujifilm XF 56mm f/1.2 R is one of the best and most popular portrait lenses available for APS-C-format Fujifilm X-mount mirrorless cameras. A hallmark of Fujifilm lenses is their high quality and superior optical performance. Best All-in-one Zoom Lens for Fujifilm X-T4 Fujifilm XF 18-135mm f/3.5-5.6 R LM OIS WR ($899) An ideal all-around lens! Even in low lighting conditions, autofocus is snappy and displays no hunting. Aside from this, there is a degree of pincushion distortion, but little or nothing in the way of either ghosting or flare. Its metallic, glossy black barrel has a bayonet mount used to attach the hood. Faced with a choice between a sharp lens and one that produces soft footage, clearly nobody in their right mind would choose the soft one. Best Kit Lens for Fuji X-T100. Image sharpness is excellent in the center even when shooting at f/1.4, with just some slight softness in the corners. Featuring enviable optics, a beautifully fast maximum aperture, and solid AF performance, this is a lens that is well suited to a wide range of filmmaking scenarios. Not only are images produced with the Samyang/Rokinon beautifully sharp, even when shot wide-open, but the lens also suffers from very little in the way of optical defects or anomalies.Â. Its fast maximum aperture of T2.2 enables the photographer to capture moments clearly even under low-lighting conditions. Either option is valid. For many Fuji shooters in need of an ultrawide angle lens for video work this will be a winning combination. Now the quality of bokeh produced by your lens will become very apparent.Â, Hopefully your footage will be interesting enough in itself that people are too busy clinging to the edge of their seats to be paying any attention to what’s happening in the background. The list of best lenses for Fujifilm X-T3 in 2020 includes reviews of top zoom and prime lenses from kit and wide angle to portrait and telephoto. Hope you find them helpful, don’t hesitate to leave a comment! But for filmmakers of a more dedicated and patient variety – those who prefer to take full control over every element of their video productions – this may be just the bit of glass you’ve been waiting for. Only this way you get one that is better suited to video (just try not to dwell on the fact that Canon and Nikon users get to use the same amazing lens for about 30% less than you do). © 2009 - 2020 Omnicore Agency. And what about that constant maximum aperture of f/1.8? The nanotechnology-engineered ‘apodization’ filter is an optional special element in the lens’s optical. The Fujifilm Fujinon XC35mm F2 is a budget prime which performs better than most lenses at twice its price. For everyone else, though, purchasing a lens that comes with its own image stabilization might well be a wise investment. I am struggling with underexposed videos using my X-T3 and 10-24mm with interior Real Estate videos even with a decent amount of natural and ambient light. If all you can afford is one and only one lens for video… Get this: (If you can wait)… Fujifilm XF 16-80mm f/4 R OIS WR Lens (Amazon, B&H) Or if you can’t…. However, you may be forced to break the bank for this added attraction, since the non-APD version of the lens cost approximately two-thirds as much. This Fuji lens is perfect for walkabout and travel photography thanks to its ‘superzoom’ features. The included hood comes with a petal design that is made of plastic, enabling reversible storage. Whether you’re searching for zooms, primes, cine, wide-angles, or telephoto lenses, we have you covered. Fujifilm X-H1. What would your personal lens recommendations be for anyone wanting to use their Fujifilm cameras for video? The wide f/1.2 aperture supports shallow depths of field, with an incredible focus area. The front elements do not rotate, allowing for the seamless use of filters such as graduates and polarizers. Top 6 Best Video Lenses For Fuji X-Mount Cameras The number of lenses available for Fuji X-mount cameras has expanded rapidly over the last few years. Of course, all this only serves to make the lens rather big and heavy. It is, however, one that is a real pleasure to work with. Check Price on Amazon Directly Add to Cart on Amazon. For example, flare is well controlled. Best Fuji X Zoom Lenses. For users of other Fuji models, though – especially those who shoot a lot of handheld footage – lack of image stabilization may very well be a genuine deterrent to purchasing this lens.Â. Indeed, the only plastic element you’ll find on this lens is the lens cap. Fujifilm XF 8-16mm f/2.8 R LM WR. XC15-45mmF3.5-5.6 OIS PZ – When we compare the Fuji 16 to 50 mm lens versus The 15 to 45 MM lens, the 15 to 45 MM lens is able to give you a bit cleaner images at wider end (15mm). As with most Fujinon lenses, the XF 23mm f/2 is well built, from barrel to mounting plate, in metal alloy. The rain won’t stop the fun too, as the lens has a comprehensive weather-seal. The Fujifilm Fujinon XC35mmF2 offers great value for your money, but if you’re looking for a budget choice, the Fujifilm Fujinon XC35mmF2 would be an excellent pick without sacrificing on the quality. The XF16mm lens is made to withstand low-light shooting and create blurred backgrounds, helping you get personal with the subjects. An … In fact, the last time I used that lens was on an X-T1. Such a theory is certainly supported by this lens. But firstly this is a genuinely great lens. Iris diaphragm with nine rounded blades. The 24mm equivalent field of view is an eternal favourite with landscape and architectural photographers, capturing wider and more dynamic compositions than a 28mm, but without the distortion of an ultra-wide. This is the ideal Fuji lens to go for if looking for stellar low-light performance and subject separation. And how should you go about choosing the right ones for your own video work? Choosing a lens that focuses accurately will always be an important consideration, but it becomes of even greater importance when considering which lens to use for videography. I blog and publish articles about camera lenses here at lensguide.io. And so on.Â. With a focus by wire lens, however, turning the “manual” focus ring sends an electronic signal to the lens’s focus motors, and they move the lens elements for you. Fujifilm Fujinon XF16mmF1.4 R WR. Indeed, no amount of spinning your camera’s command dials will make any difference to lens aperture; your camera doesn’t know what aperture you are using, so you’ll need to set it by hand.Â, If you can live with that (and really, it’s not such a big deal), then you’ll be rewarded with a lens that delivers optically excellent performance at a very attractive price point. So whether you prefer to use an external mic or rely upon your camera’s built-in audio recording capabilities, AF motor noise will not be an issue. A brilliant example of a newer prime lens and certainly one of the best lenses for Fujifilm X-T4 is the XF 23mm f/2. Lenses The vision of the X Series, the choice for X Series owners. Sure, focus by wire never gives the most satisfying of results when compared to true manual focusing. It helps to smoothen the paths while still outlining the shapes in defocused areas. To the point that Fujifilm shooters now have an almost confusing range of glass to choose from. Those who prefer to set focus manually will no doubt be pleased to learn that MF action is also surprisingly good for a lens of the “by wire” variety. While autofocus can be a powerful tool for videography, many film makers will opt to focus manually in certain situations; perhaps even in all situations, depending on their personal shooting style.Â. Best Macro Lenses for Fujifilm X-T4 Fujifilm XF 80mm f/2.8 R LM OIS WR Macro ($1,199) Ideal lens for close-up shooting. The petal-shaped lens hood is also sturdy, made from rigid plastic, and adds about 10mm to the overall length of the lens. Bokeh is not so much about the degree to which background areas are out of focus, but what these out of focus areas look like.Â, Bokeh is the result of a variety of factors, but nearly all of them involve your lens. Moreover, there is no hood included, but only a lens cap. This is because much of the exterior is made out of metal, giving the lens a robust, premium feel. The Fujinon XF16mm F2.8 R has been a great wide-angle lens option for Fujifilm users. Moreover, they also help to reduce color fringing for clearer and sharper imagery. If this is the way you like to work – slowly and deliberately – you will not be disappointed by this lens. It would also perform well when filming action sports, where the wide angle combined with an up close point of view would result in some pretty dynamic and exciting footage. Although be aware that in quieter recording situations some slight motor-noise might be picked up by your camera’s internal mic (but this isn’t a given either; it really is very quiet!). Consequently it does not provide the same degree of tactile control as is offered by genuine mechanical focusing. But if the quality of bokeh produced by a lens is particularly poor – i.e. With precise positioning filters in mind, the RK21M-FX 21mm has a manual focus lens with a non-rotating 58mm front filter mount. The main compromises usually being in terms of image sharpness, maximum aperture, and price.Â. Finally, this lens is priced a lot more competitively than some of Fuji’s other offerings, making it an appealing proposition for videographers on a relatively tight budget. Until that time though, keep in mind that some AF systems are quieter than others. As it is manufactured from premium metal and plastic, this is neither the smallest nor the most lightweight of lenses. There is also the presence of a super EBC coating to improve the optical performance, with a formula that has 10 elements in 8 groups. Legend WR - Weather resistant (can withstand rain and below freezing temperatures). There are three aspherical elements and one (ED) extra-low dispersion element, used in the lens construction. This is a deliberate engineering decision made by the manufacturers, which was meant to maximize image quality. direct to the camera – rather than externally. Hence why it also made our recent guide to the best lenses for the Fuji X-T4. The main competitor for this brand is the Fujifilm XF10-24mm F4 R OIS, which has about half its weight and comes with in-built stabilization. But if you don’t immediately get the results you expected from a given Fuji lens, it is important to be aware that performance can often be massively improved (or otherwise) depending on the AF speed and tracking sensitivity settings in your camera. The motor autofocus is efficiently fast, making the lens excellent for various shots from landscape, to architectural, sports, and even wildlife photography. Here’s the bad: although the Sigma 18-35mm Art lens is available for several camera systems, sadly Fuji isn’t currently one of them. Fuji cameras – lightweight, rolling-shutter prone bodies – can create some gorgeous video footage, but stabilization can be an absolute nightmare. The 10 Best Fuji Lens for Shooting Video in 2020 (with Video Examples), Fujifilm Fujinon XF8-16mmF2.8R LM WR Lens, Rokinon RK21M-FX 21mm F1.4 ED AS UMC High-speed Wide Angle Lens for Fuji, Rokinon Cine CV12M-FX 12mm T2.2 Cine Lens for Fujifilm X-Mount Cameras, Fujifilm XF 18-135mm f/3.5-5.6 R LM OIS WR Lens, Fujifilm Fujinon XF55-200mmF3.5-4.8 R LM OIS, The 13 Best Web and Conference Cameras for Video Interviews & Streaming in 2020, The 5 Best Podcast Hosting Platforms in 2020, Snapchat by the Numbers: Stats, Demographics & Fun Facts, TikTok by the Numbers: Stats, Demographics & Fun Facts, Pinterest by the Numbers: Stats, Demographics & Fun Facts, Facebook by the Numbers: Stats, Demographics & Fun Facts, Built-in high-torque DC coreless motor for an ultra-fast AF performance, HT-EBC and Nano GI coatings to reduce reflections, Unique nanotechnology-engineered ‘apodization’ filter, Ultra Multi-Coating on all lens elements to reduce flare and ghosting, 0.8 pitch gearing on focus and aperture rings, De-clicked aperture for smooth iris pulls, Nano Coating System for higher contrast images.
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